Dr. Maria Fontana

In the Vatican room dedicated to philosophy, Raffaello outlines Plato as an old grave man, ennobled by his flowing beard, with his index finger directed toward the sky.

A simple nod supports and stigmatizes the total meaning of all his thought.

There, where light is at its maximum intensity, the original seat of every shape and wisdom is indicated, because in the sky, where man can’t arrive with his body but only imagine it with his mind, the imminence of God’s word, and alike all the creation’s one, is identified…

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Dr. Tiziana FerraraResearch doctor in art history

Reading Sergio Gianluca Notti artistic language has not been simple at all, for who considers a review a needed moment to decode, in favor by the viewer, expressions otherwise incomprehensible in a society like ours, where substitutionary experience reigns, mediated, impersonal.

It was necessary to go over difficulties of a so specialized language, to understand that the artist, starting from an approach arising from the logical positivism, reaches an analytical line in the art that largerly borders on maths.

Notti realizes this union between art and science not as a slavish usage in his art, but as its procedures reapplication, in a kind of meta-mathematics that, simulating the Hilbert research, has its outlet in the meta-art…

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Fabio Bianchi – Art reviewer

Notti has an ambitious, drastic, resolutive approach. he has clear ideas, strong end considerable concepts, because dry, finalized, immediate. He patented the “Physics Art” in order to represent with colors the principles of physics, but his symbolism is apodictic in form and content.

He is able to process very different subjects: it is not only skill, but awareness of the very high role that the artist-demiurge can and must play in our society.

His works are a cross-section of post-modernity: Cinetic art, Pop art, Underground…

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Prof. Flavio di Gregorio – Santa Sara Academy reviewer

The diversity with which the painter Sergio Gianluca Notti concretizes during the transfiguration of perceptual synthesis, compared to the compact shape of a body, shows how the artist materializes the cosmic starting, identified by intense reflection on human being and the surrounding environment…

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